BEATLES THE THE BEATLES 1967-1970 (2CD) (A)

BEATLES THE THE BEATLES 1967-1970 (2CD) (A)

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1962-1966 ("Red") covers the Beatles' Merseybeat era, a time when the Beatles were considered a singles "teenybopper" band. Among the best cuts on the first CD are "Please Please Me", "She Loves You", "Eight Days a Week", and "Ticket to Ride".

Their progression from teenyboppers to "serious band" begins to show in the songs from 1965's Rubber Soul, including "Norwegian Wood", featuring George Harrison on the sitar, and John Lennon's introspective "In My Life", which hints at the band's glorious and more complex studio work that was to follow.

The Red CD collection ends with two songs from 1966's Revolver, a record that placed the band on even higher creative ground: Paul McCartney's masterpiece "Eleanor Rigby" is the first time a string quartet accompanied a rock and roll record, and "Yellow Submarine" was one in a line of catchy, childlike songs written for resident jester and drummer extrodinaire Ringo Starr.

The first disc of 1967-1970 ("Blue") has the far more unenviable task of selecting four representative tracks from 1967's Sgt. Pepper's Lonely Hearts Club Band, still considered to be the most ground-breaking and influential album in the history of rock. "A Day in the Life" is the standout -- Sgt. Pepper's closer and emotional peak.

The CD closes with the two songs that best demonstrate the eventual clash in Lennon and McCartney's songwriting styles: McCartney's "Hey Jude" and Lennon's "Revolution" were sides A and B respectively of the Beatles' greatest-selling (and perhaps just "greatest") single. Where Lennon's song is a snarling, self-righteous rocker, McCartney's is a sing-song orchestral ballad. The one you like best probably depends on whether you're a "John" or "Paul" person -- truth is they're both great.

The final CD spans from 1968's The Beatles ("The White Album") to the end of the band's career. McCartney's best moments "Let it Be", "Get Back", and "The Long and Winding Road" (Despite that over-the-top Phil Spector production) are here, as are Lennon's "Don't Let Me Down" and "Come Together". The closer is "Long and Winding Road", though it's perhaps a weaker conclusion than "Two of Us" might have been.

The Red and Blue collections are awesome reminders of the Beatles' past accomplishments and their continued vitality even today.

20 of 20 found the following review helpful:

More like a 100 stars for this album,'The Beatles 1967-1970'.Jun 29, 2006
By T. Goyer
Like many before me,this "blue" Beatles best-of served as my first,in-depth sampling of The Beatles' output from their post-'Revolver' era from early-1967 onward... You couldn't find a better 100+ minutes of music to listen to straight through than the superb 28 tracks that make up 'The Beatles 1967-1970'. I bought this initially back in the winter of 1988 (I was 18 at the time) on cassette,and it changed my life. True; the 2-cd version often retails at $34.00,which is a bit much,but the material contained is beyond priceless.. About the songs. The songs!! There's not a lame one among the batch of 28. What's even cooler is that -even as the songs unfurl chronologically- they pack a flow to rival any of anyone's favorite best-of albums... The flow of all 28 is remarkable... A fantastic mix of all their late '60's #1 hits as well as choice album cuts ("A Day In The Life","I Am The Walrus")... Seriously folks; anyone who is feeling the itch to discover The Beatles' later output should get this "blue" best-of first,then graduate onto the studio albums themselves.. That's what happened to me and I wound up (so far) buying all of the albums from 'Rubber Soul' (1965) onwards... This blue '1967-1970' never disappoints. Because the liner notes/inlay booklet doesn't tell you which album each track is culled from,I'll happily fill you in:

Disc One:

1.)Strawberry Fields Forever(John in vocals)
2.)Penny Lane(Paul on vocals)
(Both originally released as a stand-alone single in early 1967 and both served as the first tracks recorded for what would be 1967's "Sgt. Pepper's Lonely Hearts Club Band". However,the two songs weren't released on any Beatles' album until late-1967's 'Sgt. Pepper' follow-up 'Magical Mystery Tour'.)

3.)Sgt. Pepper's Lonely Hearts Club Band(Paul on vocals)
4.)With A Little Help From My Friends (Ringo on vocals)
5.)Lucy In The Sky With Diamonds(John on vocals)
6.)A Day In The Life(John and Paul on vocals)

3-6 from the legendary 'Sgt. Pepper's Lonely Hearts Club Band'; 1967.

7.)All You Need Is Love (John on vocals)
8.)I Am The Walrus(John on vocals)
9.)Hello,Goodbye(Paul on vocals)
10.)The Fool On The Hill (Paul on vocals)
11.)Magical Mystery Tour(John on vocals)

7-11 from 'Magical Mystery Tour'; 1967

12.)Lady Madonna(Paul on vocals)
13.)Hey Jude(Paul on vocals)
14.)Revolution(John on vocals)

12-14 all stand-alone singles released in 1968. All were/are
huge hits. Sweet!

Disc Two:

1.)Back In The U.S.S.R.(Paul on vocals)
2.)While My Guitar Gently Weeps(George on vocals)
3.)Ob-La-Di,Ob-La-Da(Paul on vocals)

1-3 taken from 1968's double-album 'The Beatles' (aka "The White Album").

4.)Get Back(Paul on vocals) (Originally recorded 1969 as a single and not released on album until 1970's 'Let It Be'. Twistedly,'Let It Be' was recorded prior to 1969's final Beatles' studio album 'Abbey Road',but not released until later...)

5.)Don't Let Me Down(non-album b-side to the "Get Back" single; John on vocals)
6.)The Ballad Of John And Yoko (non-LP stand-alone single; John on vocals. One of the very few Beatles tracks recorded with only John and Paul playing all the instruments..)
7.)Old Brown Shoe(b-side to "The Ballad Of John And Yoko"; George on vocals)

All of the hits plus some choice b-sides as well.. Yeah!!

8.)Here Comes The Sun(George on vocals)
9.)Come Together(John on vocals)
10.)Something(George on vocals)
11.)Octopus's Garden (Ringo on vocals)

(All culled from 1969's *true* final Beatle masterpiece,'Abbey Road')

12.)Let It Be (Paul on vocals)
13.)Across The Universe(John on vocals)
14.)The Long And Winding Road (Paul on vocals)

12-14 from 1970's (actually recorded early 1969) 'Let It Be'.


So there you go... 28 of THE very best music ever to grace the world... (Seriously.) Please do yourself a favor and check out *any* Beatles' music. But a choice place to start certainly is here. Have Fun/Enjoy/Peace!

Thanks for your time.

Tim Goyer
Albany,NY
USA
6/28/06

24 of 25 found the following review helpful:

The ULTIMATE desert island discAug 31, 2002
By R.J.
No matter how much music I've listened to over the years, I always come back to the "blue" album, in my opinion the best greatest hits package of all time. From Sgt. Pepper, to Magical Mystery Tour, to the White Album, Abbey Road and Let It Be, it captures the best of the Beatles' later more creative period. This was my introduction to A Day In the Life, I Am The Walrus, Don't Let Me Down, and other songs which I didn't know at the time. Many years later I have bought all the records, heard all the songs a million times, but there's something about playing this at the right time that makes this the one I would take to a desert island with me. (if I could choose only one)

Any collection which has Hey Jude, Let It Be, Get Back, Strawberry Fields Forever and While My Guitar Gently Weeps on the same album is pretty damn great no matter how you look at it, and there's much more of course. Over the years there have been other much hyped collections, but the red and blue albums are absolutely definitive.

19 of 22 found the following review helpful:

A thorough and satisfying collectionMay 26, 2000
By John Jones "Musician"
A more thorough overview of their significant hits from the respective period than the companion Red album, all twenty-eight of the songs included on "1967-1970" (The Blue Album) are rock classics.

We're treated to a generous seven of the eleven tracks from "Magical Mystery Tour," and "Sgt. Pepper's" is accurately represented as well. Another bonus is the faster, more popular version of "Revolution," different than what was included on "The White Album."

From trippy pop ("Lucy in the Sky With Diamonds" and "I Am the Walrus") to classic rock ("Get Back," "Come Together,") to their all-time epic masterpiece ("A Day in the Life"), this compilation of the Beatles is virtually without error. For baby boomers, a trip down memory lane. For musicians, a textbook on composition and production. For lovers of pop and rock music, an unbeatable treasure.

11 of 12 found the following review helpful:

Skims the Cream Quite WellOct 19, 2001
By the dirty mac "boot64"
Nicknamed the Blue Album, this continues where the 1962-66 Red Album leaves off. Compiling a proper overview of the later Beatles poses an even more exacting challenge than an overview of the early Beatles. The later Beatle albums were carefully sequenced and segued and need to be heard from start to finish; they are not easily cannibalized for greatest hits treatment. But in the end the Blue Album accomplishes its mission.

Disc 1 captures the Beatles at their creative peak. "Strawberry Fields Forever," "Penny Lane," "A Day in the Life," and "Hey Jude" are the crown jewels in the Beatle legacy. "Hello Goodbye," "I Am the Walrus," "Magical Mystery Tour," "Lady Madonna," "Revolution" and the rest are not exactly duds either. Hearing them is always like listening to them for the first time, which is the test of a great song.

Disc 2 has occasioned the most criticism -- some legitimate, some petty. Yes, it would have been nice to have had more than three WHITE ALBUM tracks ("Birthday" and "Julia" would have been logical additions when this was released on CD). Yes, we can debate if "Old Brown Shoe," a pretty obscure George Harrison B side, really belongs here. But come on: It's ridiculous to lambaste a CD that includes "Get Back," "Here Comes the Sun," "Come Together," "Something" (hailed by Frank Sinatra as the greatest love song that he ever heard) and "Let It Be."

The version of "Let It Be" included here is the single version that was produced by George Martin, not the album version that was smothered beneath Phil Spector's bombastic overdubs. In fairness to Spector, he did a decent job salvaging "Across the Universe." The violins and female choruses mesh well with the mood of John Lennon's lyrics, which are some of the best that he ever wrote. Paul McCartney publicly rebuked Spector's use of female choruses on "The Long and Winding Road" -- an ironic complaint coming from someone who would spend the next fifteen years inflicting his wife on our ears. (Sorry for the cheap shot; McCartney is correct to say that the ANTHOLOGY 3 version, lacking Spector's overdubs, is superior.)

The Blue Album, like its Red companion, has complete lyrics as well as rare photos not included in the 1973 vinyl release. The remastered sound is good, although "All You Need Is Love" still sounds rather thin. But in stark contrast to the Red Album, this has just enough music to justify packaging it as a two disc set.

SGT. PEPPER, THE WHITE ALBUM and ABBEY ROAD are essential listening and will become more so when they are finally remastered. The Blue Album cannot give you a full sense of them. What the Red and Blue albums do best is demonstrate why the popularity of the Beatles continues to flow so wide and deep. Extremely versatile and eclectic, it's amazing that the same band that made "I Want to Hold Your Hand" also made "Revolution," that the same band that made "Drive My Car" also made "The Long and Winding Road." Say what you will about the Beatles, but you could never accuse them of standing pat.

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